Photography in itself is magic. You capture a space and time as it once existed, and will never exist exactly the same again. Recently I was reading an essay from Minnesota photographer Alec Soth. Soth discusses how photography is a hoarder’s way to the world.
“I think photography is the most anti-Zen activity. It’s all about stopping time, possessing things, holding onto them. And you know, if my goal was to be a healthy person, photography would not be the thing. I have this joke about becoming a binoculographer: you go around and look at the world without photographing. That would be a spiritually healthy way of taking things in. But this wanting to possess it is not so healthy.”
This is true of most art, but especially photography. The artist is collecting as many images of the world as they can, trying to hang on to the place and moment that was in their sight. This recreates what all humans do in collecting memories, only it serves to visually reproduce the past.”
The way I most enjoying capturing the world to collect images is through night photography. These images represent a period of time in a specific place. The period of time can range anywhere from a few seconds to hours entirely depending on where you are and the amount of available light. In the past I have greatly enjoyed working in urban areas where there is ample light and my exposures range from 30 seconds to a minute. Recently, upon moving to Texas, I have found peace and solitude in working in rural areas where there is much less light for the camera to take in. This not only pushes my exposure times up, but also allows from movement in the stars and clouds above.
I originally drew inspiration from two artists when I began capturing night images while attending Anoka-Ramsey Community College in the Twin Cities. These two artists have very different bodies of work, but both work with film. Film has a certain magic that will never be met by digital. The fact they you are holding something tactile throughout the entire process and seeing the image appear in the liquid is an experience only somebody who has worked in a darkroom can understand.
The first artist of the two is Brassai. This artist photographed Paris in the night between the two World Wars. In his 1933 book Paris de Nuit (Paris by Night) he successfully captured the essence of Paris after dark. His images have a sense of feeling and emotion in them. Often they capture seedy locations in the veil of mist and fog using the ambient light to showcase particular parts of the image. As a student I took to the cities nearest me in search of something similar and began photographing the Minneapolis/St. Paul neighborhoods I knew and loved.
After several years of shooting night images a friend showed me work by a Minnesota photographer Chris Faust. Faust does a lot of night work in smaller towns that dot the landscape of Minnesota. He uses a panoramic medium format camera, which allows the capture of an intense amount of space and detail in each image. The photographs he creates give an incredible sense of the cold, quiet solitude of these off the beaten path locations throughout Minnesota. I felt fortunate being able to discuss process and technique with Faust through an exchange of e-mails a few years back. The communication taught me a great deal on exposure and alternative processing methods to create the desired contrast. These images have pushed me to recently get away from the cities and work in areas less traveled, which is a natural transition now that I live 45 minutes south of the Dallas/Ft. Worth metroplex in Waxahachie, TX.
As with any artist my inspirations are endless and would bore anybody to hear about them all, but this is a basic grasp at what pushes me to create and a quality I strive to rival.
Check out mentioned artists: